Monday, July 29, 2013

Chapter II: Globalisation Flows

“But I don’t quite understand the big deal about it,”

To most of us, a statement like this directed at any of our favourite television shows is likely to cause varying degrees of frustration. Fortunately, while discussing The Walking Dead with my mother, she was questioning the importance of the show being aired in Australia so soon after it airs in the US or UK.

In the past, Australia has been subject to significant delays in the airing of television content originally being shown in the US or UK, with seasons being shown here months or even years after their original air date. However this practice is becoming less common and we are seeing a trend in episodes being “fast-tracked”; resulting in same-week (such as FOX8’s Falling Skies), same-day (like Channel Ten’s Under The Dome) or even within a few hours of its premiere (either through television like Showcase’s Game Of Thrones or digitally, like ABC chose to do via its iView service with the first half of Doctor Who’s seventh season).

In reference to globalisation, these near-instantaneous releases help to prevent the slowing or breaking of the various forms of globalisation ‘flows’. When it takes months for a show to reach its audience in Australia, the spread of culture, information, media (and even that of capital) is reduced and runs the risk of lessening its impact thanks to the power of things like social media (for the record, I’m yet to find someone who wasn’t aware of a certain character death in the first season of Game Of Thrones before they saw it).

Rantanen (2005, pp. 2-3) makes the point of noting that international communication neglected to focus on people themselves, and that while intercultural communication was established in order to rectify this imbalance, neither recognised how the people were using the media they had access to. With this in mind we can see that the international communication of television has begun to recognise how the public is consuming media in modern times and that a staggered release results in a jagged effect on its audience and globalisation as a whole.

For my generation, with its access to instantaneous information, is almost required to have these television shows at the ready lest we fall behind in global trends (or worse; get spoiled!). While my mother, who barely uses the computer let alone social media, is content with watching ABC’s Hustle despite the time lag, for someone like myself who is fully subject to the effects of social media keeping the flows of globalisation moving is definitely a ‘big deal’.

References
Rantanen, T 2005, ‘Theorizing media globalization’, The media and globalization, Sage, London, pp. 1–18.

Monday, July 22, 2013

Chapter I: About Me

Hi there! I'm Rhys, and welcome to my blog for ALC215 Globalisation and the Media. Over the coming weeks I'll be writing about various topics relating to the phenomenon of globalisation. For now, though, I'll just introduce myself.

So I'm twenty, living in Melbourne and attending Deakin University. I'm approximately halfway through a double degree in Arts/Commerce, and majoring in Marketing, Media & Communication, and Social & Political Thought. Not entirely sure where it will all take me, as I'm fairly indecisive and can change my life course quite frequently, but I'm enjoying learning new things and discovering more about the world we live in.

In my spare time I enjoy watching television and cinema, particularly comedy and science fiction. I dabble in video games, love a wide range of the musical spectrum, and confess to being a little bit of a board game nerd too. Hanging out with friends (new and old) is also a high priority.

Looking forward to the next few months to come and discuss the multiple facets of globalisation weekly. Hopefully I can entertain and offer a few different insights.